00:00	Saxophone fanfare with cymbal accompaniment.
00:30	Melody of four notes played by bass.
00:38	Drums start making time (keeping steady rhythm).
00:46	Piano enters with chords built on the mode.
01:02	Sax enters with new melodic material (still motivic in nature); piano generally keeps two-note movement taken from opening bass motive as the comping pattern.
01:29	Example of pianos ascending and descending chromatic chord patterns; listen for constant motivic variation by the saxophone. Coltrane pushes against the upper range of his sax.
02:01	Bass begins to move toward four-beat patterns instead of variations of the motive. Loose references to the motive are maintained most of the time and are passed between the various players.
03:08	Example of four-beat pattern in bass, which still reflects motive.
04:05	Example of soloists playing short fragmented statements of the motive.
04:45	A return to the simple melodic motive, continually repeated.
05:53	Players sing to motive, A Love Supreme.
06:23	Motive moves down a step.
06:37	Saxophone drops out and ensemble begins to fade.
06:53	Piano drops out, only bass and drums remain.
07:07	Only bass remains, playing the motive.
07:49	End.
